Free PDF The Sketchnote Handbook: the illustrated guide to visual note taking
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The Sketchnote Handbook: the illustrated guide to visual note taking
Free PDF The Sketchnote Handbook: the illustrated guide to visual note taking
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Product details
Paperback: 224 pages
Publisher: Peachpit Press; 1 edition (December 13, 2012)
Language: English
ISBN-10: 0321857895
ISBN-13: 978-0321857897
Product Dimensions:
7 x 0.8 x 8.9 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
243 customer reviews
Amazon Best Sellers Rank:
#31,374 in Books (See Top 100 in Books)
45 minutes is all it took for me to finally begin sketching my concepts. Yes, that's it. I opened the book during an hour train commute. It looked like a thick book but I was done in 45 minutes. My brain had absorbed and retained concepts and I sketched the take aways for me right away. I love the author laying out the simple patterns - e.g., 5 shapes are all you need to draw.On the ride back I finished the practice sketches. I feel super comfortable sketching out my product concepts. NOW, I know I'm a visual processor and for years have yearned to have a sketch person on-hand on-demand. Now I have him. it's me. If you KNOW you process information this way and just couldn't get started, this quick read can be the change for you!
I've read a few books on conveying ideas through drawing (Back of the Napkin by Dan Roam & Doodle Revolution by Sunni Brown) that were good and full of information, but neither really captured the gravity of using the ideas within to convey the ideas themselves.Throughout the entire book, Mike uses sketchnotes on every page to give the reader a pragmatic, well laid guide for how to take notes visually. He shares examples of other sketctnoters (giving them a platform to be seen and providing real-life examples of other sketchnoters), teaches you the basics of "formatting" your sketchnotes and the basics of drawing, which I've found incredibly helpful for making sure I'm capturing information as fully and clearly as I had hoped.I've gone through this book multiple times, and because of his ability to break the ideas down into digestible chunks and provide a rich wealth of information, I've started taking sketchnotes in meetings, at church and at conferences.
This is a good book not just for the content but also for the design, and both aspects can inspire you if you are fond of using pen and paper (or at least stylus and tablet) to capture what's happening around you. While the concept of a "Sketch Note" seems like something that should not really have a name, the book makes a great case for why visually oriented notes work well. The book contains many examples of notes using the style, and a number of Sketch Notes by practitioners of the craft, including such details as which pens and notebooks they prefer. The book ends with a number of exercises that encourage you to explore your ability to draw using a variety of techniques which make drawing less terrifying that it might be. From the message, to the examples, to the details such as covers with rounded corners (a form that is useful even for those older than "Board Book Age"), you may find this book inspires you to be creative and more attentive when you are taking notes.
I love the idea of sketchnotes. I expected to love this book, but upon reading it I found it lacking.*First, it was rather repetitive. Information in the different chapters overlapped a lot.*Second, I expected more help with creating my own sketchnotes. There is room for practicing different icons and whatnot in the back, but only a few pages. I expected more examples and places to practice typography.*Third, the book was hard to follow in places. It makes good sense to write this book as a big sketch note. However some of the examples from other contributors were all over the place and hard to follow. To me this negates the point of taking notes in this fashion. If you can't make sense of them later, what's the point?*I probably would have been better off buying the workbook first, but I just didn't know. And with the big price difference (the workbook is ~$35) I started here.In general I'd say skip this and just get the workbook (though I haven't actually bought or worked through that). This is a nice compilation of examples from the author in the shape of a book though.
First of all, this is a beautiful book, having a matte(?) finish, full of illustrations, using the very medium to 'deconstruct' itself. I even love the accent color (orange) used throughout the book. Loved the guest sketch noters. Don't get the Kindle edition. Appreciate the book in its native format as the author intended.The videos were okay. I felt they added little value, as the author merely clarified the concepts in his book. Given the passion the author has for sketch-noting, I kinda expected him to burst upon the screen like those guys from the infomercials. He had a business-like demeanor in front of the camera. If there was just one chapter worth watching, I would suggest watching the segment where Mike does a sketch note in real time, listening to Mr. Mueller. Oh- the online videos were not captioned. I would suggest that Peachpit require that future video submissions have subtitling and/or captioning.I primarily bought this book to give me ideas and techniques that i can share with my students. Then, they can make meaningful connections in studying their subject matter, i.e., Math, Reading, Science, in a visual way. It's also nice to undertake some sketch-noting during those professional development workshops. This book delivers for me, full of little tips I can immediately put to use.I feel that this book was somewhat superficial. It is indeed a quick read. I would have liked more coverage on Dual-Coding Theory, for instance. Little coverage was given to speaker patterns. What about having a 'listening triage', weeding out white noise and capturing relevant ideas? What if someone in the audience has an insightful idea? A heated debate? I'm not asking for a full blown treatise; just better coverage on listening and capturing ideas quickly and effectively.Another example; I rely on sign language for communications. In a meeting, I just can't look down and start doodling (or jotting) away. I have to watch, and retain as much as I can before there's a lull in the meeting, then I furiously scribble down my notes. At least, sketching images may be an acceptable substitute in writing notes during lulls as they're quicker to make and i can get back to the presentation at hand. In this book, Mike describes a 'brain cache' area, but doesn't really explore it. I would have liked to acquire better memorization techniques so I can hold ideas until I put them to paper.Mike Rohde is correct that sketch noting is an invaluable addition to a person's toolset in acquiring, retaining, and making meaningful connections between ideas. Not only Dual Coding Theory helps us understand why we retain and make meaningful connections between ideas in a visual manner, it is also kinesiology, the very act of sketching, that helps tie it all together. Thus, sketch notes have the most value to the person who did the notes; it truly helps him/her retain and understand what was presented at that workshop, meeting, etc. Even sketch noting while digesting a heavy treatise helps an individual better grasp and utilize the ideas being learned.However, I find an odd disconnect in treating sketch notes for wide distribution via social media. Sketch notes have little utility in communicating ideas to other people who were not present at the meeting, workshop, etc. I've looked at a couple of sketch notes in the wild and really couldn't understand them. I may grasp bits and pieces, but i get the feeling that I had to be there to understand these sketch notes fully. That said, sketch notes have some utility for communicating ideas with people who actually attended the meeting, workshop, etc., but didn't do any sketch-noting.I may be missing the point, but why would sketch noters share their sketch notes on social media, when they are ill-equipped vehicles in communicating ideas? Is it because they may have some intrinsic artistic merit? Just treat sketch notes as a tool that a person can utilize in capturing and synthesizing ideas in a visual form, and not for any intrinsic artistic value they may have. Overall, a good book.
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